Paul Chapman, senior vp of technology at Burbank-based postproduction facility Fotokem, led a discussion of some of the challenges that high frame rates bring to post, during SMPTE’s symposium on high frame rates for digital cinema.
For starters, he asserted that support from creative editorial is lacking and needed. This was a sentiment echoed by additional speakers, including Disney’s Howard Lukk, who did however single out Adobe’s Premiere Pro as offering HFR support.
Chapman reported that he conducted an informal survey of dailies vendors, and his findings suggest that all are now testing high frame rates. He expects to see quite a lot of development in this area during the next 12 months. He reported that Fotokem’s NEXTlab near-set dailies system is already working on a HFR project.
Nico Recagno of SGO (the maker of the Mistika postproduction system, which is in use at Park Road Post on The Hobbit) said that managing dailies at HFRs is “horrifically difficult,” citing challenges including time code, methods of viewing and QC, and sound sync.
Recagno added that the biggest concern that he is hearing from colorists is getting proper calibration during color grading.
He and Chapman both urged the community to create HFR standards in some of the discussed areas, including time code.